Musical Symbols
Music notation or musical notation is any system used to visually represent aurally perceived sounds through the use of written symbols, including ancient or modern musical symbols. Types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary.
Little is known about the ancient notation. We have evidence that Ancient Babylon used pictographs, Egypt â syllables. As for the oldest note manuscripts, they're made in Greek. Ancient Greek notation is represented in a separate Unicode block. In addition, here you can find Byzantine musical symbols.
Although many ancient cultures used symbols to represent melodies, none of them is nearly as comprehensive as written language. Comprehensive notation started to develop in Europe in the Middle Ages, and since then it has been adapted to many genres of music worldwide.
The music symbols were included in Unicode version 4.1 published in March 2005. Modern notation symbols are collected here. Some of them may be encountered in the block called Miscellaneous symbols.
āļāļļāļāļŠāļĄāļāļąāļāļī
āļāđāļ§āļ | 1D100–1D1FF |
āļāļąāļ§āļĨāļ°āļāļĢ | 256 |
āļĢāļēāļĒāļāļ·āđāļāļāļąāļ§āļāļąāļāļĐāļĢ
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āļĢāļēāļ§
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1D100ð
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1D101ð
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1D102ð
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1D103ð
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1D104ð
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1D105ð
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codas
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1D106ð
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1D107ð
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1D108ð
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1D109ð
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1D10Að
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1D10Bð
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1D10Cð
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āļāļēāļĢāļāļģāļāđāļģāļāļąāļ§āđāļĨāļ
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1D10Dð
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1D10Eð
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1D10Fð
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āļāļąāļāđāļĨāļ°āļŦāļĒāļļāļ
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1D110ð
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1D111ð
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1D112ð
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1D113ð
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āļ§āļāđāļĨāđāļāļāļāļąāļāļāļēāļ
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1D114ð
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1D115ð
-
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āļāļēāļāļŦāļēāļĄ
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1D116ð
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1D117ð
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1D118ð
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1D119ð
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1D11Að
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1D11Bð
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tablature
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1D11Cð
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1D11Dð
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Clefs
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1D11Eð
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1D11Fð
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1D120ð
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1D121ðĄ
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1D122ðĒ
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1D123ðĢ
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1D124ðĪ
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1D125ðĨ
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1D126ðĶ
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1D127
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1D128
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āļŠāđāļ§āļāļāļĩāđāđāļŦāļĨāļ·āļ
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1D129ðĐ
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accidentals
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1D12AðŠ
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1D12BðŦ
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1D12CðŽ
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1D12Dð
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1D12EðŪ
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1D12FðŊ
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1D130ð°
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1D131ðą
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1D132ðē
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1D133ðģ
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āļĨāļēāļĒāđāļāđāļāđāļ§āļĨāļē
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1D134ðī
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1D135ðĩ
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āđāļĨāļāļ°āđāļĨāļ·āļāļ
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1D136ðķ
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1D137ð·
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1D138ðļ
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1D139ðđ
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āļāļąāļāļāđāļāļ
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1D13Aðš
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1D13Bðŧ
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1D13Cðž
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1D13Dð―
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1D13Eðū
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1D13Fðŋ
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1D140ð
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1D141ð
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1D142ð
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Noteheads
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1D143ð
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1D144ð
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1D145ð
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1D146ð
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1D147ð
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1D148ð
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1D149ð
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1D14Að
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1D14Bð
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1D14Cð
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1D14Dð
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1D14Eð
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1D14Fð
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1D150ð
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1D151ð
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1D152ð
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1D153ð
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1D154ð
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1D155ð
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1D156ð
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1D157ð
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1D158ð
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1D159ð
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1D15Að
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1D15Bð
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āļŦāļĄāļēāļĒāđāļŦāļāļļ
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1D15Cð
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1D15Dð
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1D15Eð
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1D15Fð
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1D160ð
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1D161ð Ą
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1D162ð Ē
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1D163ð Ģ
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1D164ð Ī
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āļĨāļģāļāđāļ
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1D165ð Ĩ
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1D166ð Ķ
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Tremolos
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1D167ð §
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1D168ð Ļ
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1D169ð Đ
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1D16Að Š
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1D16Bð Ŧ
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1D16Cð Ž
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āļāļļāļāđāļŠāļĢāļīāļĄ
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1D16Dð
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āļāļ
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1D16Eð Ū
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1D16Fð Ŋ
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1D170ð °
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1D171ð ą
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1D172ð ē
-
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āļāļēāļāđāļĨāļ°āļāļģāļŦāļāļī
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1D173ð ģ
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1D174ð ī
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1D175ð ĩ
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1D176ð ķ
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1D177ð ·
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1D178ð ļ
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1D179ð đ
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1D17Að š
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āļāļēāļĢāļāļĢāļ°āļāļ
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1D17Bð ŧ
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1D17Cð ž
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1D17Dð ―
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1D17Eð ū
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1D17Fð ŋ
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1D180ð
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1D181ð
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1D182ð
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1D183ð
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1D184ð
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1D185ð
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1D186ð
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1D187ð
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1D188ð
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1D189ð
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1D18Að
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1D18Bð
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1D18Cð
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1D18Dð
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1D18Eð
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āļāļĨāļĻāļēāļŠāļāļĢāđ
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1D18Fð
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1D190ð
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1D191ð
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1D192ð
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1D193ð
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āđāļāļĢāļ·āđāļāļāļāļĢāļ°āļāļąāļ
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1D194ð
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1D195ð
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1D196ð
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1D197ð
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1D198ð
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1D199ð
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1D19Að
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1D19Bð
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1D19Cð
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1D19Dð
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1D19Eð
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1D19Fð
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1D1A0ð
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1D1A1ðĄ
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1D1A2ðĒ
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1D1A3ðĢ
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1D1A4ðĪ
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1D1A5ðĨ
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Analytics
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1D1A6ðĶ
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1D1A7ð§
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1D1A8ðĻ
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1D1A9ðĐ
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āļāļēāļĢāļāļĢāļ°āļāļąāļāļāđāļāļāļāļĢāļĩ
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1D1AAðŠ
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1D1ABðŦ
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1D1ACðŽ
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1D1ADð
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āđāļŦāļĒāļĩāļĒāļ
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1D1AEðŪ
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1D1AFðŊ
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1D1B0ð°
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āļŠāļąāļāļĨāļąāļāļĐāļāđāđāļāđāļāđāļāļĨāđāļ
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1D1B1ðą
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1D1B2ðē
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1D1B3ðģ
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1D1B4ðī
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1D1B5ðĩ
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āļŦāļĄāļēāļĒāđāļŦāļāļļāđāļāļĩāđāļĒāļ§āļāļąāļāļāļļāļĢāļļāļĐ
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1D1B6ðķ
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1D1B7ð·
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1D1B8ðļ
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1D1B9ðđ
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1D1BAðš
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1D1BBðŧ
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1D1BCðž
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1D1BDð―
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1D1BEðū
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1D1BFðŋ
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1D1C0ð
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āļāļĩāđāļāļąāļāļŠāļģāļŦāļĢāļąāļāļāļļāļĢāļļāļĐ
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1D1C1ð
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1D1C2ð
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1D1C3ð
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1D1C4ð
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1D1C5ð
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1D1C6ð
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prolations āļāļļāļĢāļļāļĐ
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1D1C7ð
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1D1C8ð
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1D1C9ð
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1D1CAð
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1D1CBð
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1D1CCð
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1D1CDð
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1D1CEð
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āļŠāļąāļāļĨāļąāļāļĐāļāđāđāļāđāļāđāļāļĨāđāļ
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1D1CFð
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Clefs
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1D1D0ð
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1D1D1ð
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āđāļāļĒāļāļąāļāđāļāļīāļ
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1D1D2ð
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āļŦāļĄāļēāļĒāđāļŦāļāļļ
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1D1D3ð
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1D1D4ð
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1D1D5ð
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1D1D6ð
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1D1D7ð
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1D1D8ð
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1D1D9ð
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1D1DAð
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1D1DBð
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1D1DCð
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1D1DDð
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āļāļļāļāđāļāđāļŠāļĩāļĒāļ
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1D1DEð
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āļāļĨāļąāļāļāļēāļĢ
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1D1DFð
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āļŦāļĄāļēāļĒāđāļŦāļāļļ
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1D1E0ð
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1D1E1ðĄ
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1D1E2ðĒ
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1D1E3ðĢ
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1D1E4ðĪ
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1D1E5ðĨ
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1D1E6ðĶ
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1D1E7ð§
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āđāļāļĒāļāļąāļāđāļāļīāļ
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1D1E8ðĻ
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Accidentals for quarter tones
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1D1E9ðĐ
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1D1EAðŠ
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1D1EB
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1D1EC
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1D1ED
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1D1EE
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1D1EF
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1D1F0
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1D1F1
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1D1F2
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1D1F3
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1D1F4
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1D1F5
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1D1F6
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1D1F7
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1D1F8
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1D1F9
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1D1FA
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1D1FB
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1D1FC
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1D1FD
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1D1FE
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1D1FF
āļāļēāļĢāļēāļāļāļąāļ§āļāļąāļāļĐāļĢ
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ð1D100
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ð1D101
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ð1D102
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ð1D103
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ð1D104
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ð1D105
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ð1D106
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ð1D107
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ð1D108
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ð1D109
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ð1D10A
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ð1D10B
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ð1D10C
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ð1D10D
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ð1D10E
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ð1D10F
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ð1D110
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ð1D111
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ð1D112
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ð1D113
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ð1D114
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ð1D115
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ð1D116
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ð1D117
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ð1D118
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ð1D119
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ð1D11A
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ð1D11B
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ð1D11C
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ð1D11D
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ð1D11E
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ð1D11F
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ð1D120
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ðĄ1D121
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ðĒ1D122
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ðĢ1D123
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ðĪ1D124
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ðĨ1D125
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ðĶ1D126
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1D127
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1D128
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ðĐ1D129
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ðŠ1D12A
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ðŦ1D12B
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ðŽ1D12C
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ð1D12D
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ðŪ1D12E
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ðŊ1D12F
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ð°1D130
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ðą1D131
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ðē1D132
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ðģ1D133
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ðī1D134
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ðĩ1D135
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ðķ1D136
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ð·1D137
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ðļ1D138
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ðđ1D139
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ðš1D13A
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ðŧ1D13B
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ðž1D13C
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ð―1D13D
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ðū1D13E
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ðŋ1D13F
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ð 1D140
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ð 1D141
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ð 1D142
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ð 1D143
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ð 1D144
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ð1D145
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ð 1D146
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ð 1D147
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ð 1D148
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ð 1D149
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ð 1D14A
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ð 1D14B
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ð 1D14C
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ð 1D14D
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ð 1D14E
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ð 1D14F
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ð 1D150
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ð 1D151
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ð 1D152
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ð 1D153
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ð 1D154
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ð 1D155
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ð 1D156
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ð 1D157
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ð 1D158
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ð 1D159
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ð 1D15A
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ð 1D15B
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ð 1D15C
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ð 1D15D
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ð 1D15E
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ð 1D15F
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ð1D160
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ð Ą1D161
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ð Ē1D162
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ð Ģ1D163
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ð Ī1D164
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ð Ĩ1D165
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ð Ķ1D166
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ð §1D167
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ð Ļ1D168
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ð Đ1D169
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ð Š1D16A
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ð Ŧ1D16B
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ð Ž1D16C
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ð 1D16D
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ð Ū1D16E
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ð Ŋ1D16F
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ð °1D170
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ð ą1D171
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ð ē1D172
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ð ģ1D173
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ð ī1D174
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ð ĩ1D175
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ð ķ1D176
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ð ·1D177
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ð ļ1D178
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ð đ1D179
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ð š1D17A
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ð ŧ1D17B
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ð ž1D17C
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ð ―1D17D
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ð ū1D17E
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ð ŋ1D17F
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ð1D180
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ð1D181
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ð1D182
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ð1D183
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ð1D184
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ð1D185
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ð1D186
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ð1D187
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ð1D188
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ð1D189
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ð1D18A
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ð1D18B
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ð1D18C
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ð1D18D
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ð1D18E
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ð1D18F
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ð1D190
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ð1D191
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ð1D192
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ð1D193
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ð1D194
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ð1D195
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ð1D196
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ð1D197
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ð1D198
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ð1D199
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ð1D19A
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ð1D19B
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ð1D19C
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ð1D19D
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ð1D19E
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ð1D19F
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ð1D1A0
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ðĄ1D1A1
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ðĒ1D1A2
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ðĢ1D1A3
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ðĪ1D1A4
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ðĨ1D1A5
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ðĶ1D1A6
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ð§1D1A7
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ðĻ1D1A8
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ðĐ1D1A9
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ðŠ1D1AA
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ðŦ1D1AB
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ðŽ1D1AC
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ð1D1AD
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ðŪ1D1AE
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ðŊ1D1AF
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ð°1D1B0
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ðą1D1B1
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ðē1D1B2
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ðģ1D1B3
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ðī1D1B4
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ðĩ1D1B5
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ðķ1D1B6
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ð·1D1B7
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ðļ1D1B8
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ðđ1D1B9
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ðš1D1BA
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ðŧ1D1BB
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ðž1D1BC
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ð―1D1BD
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ðū1D1BE
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ðŋ1D1BF
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ð1D1C0
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ð1D1C1
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ð1D1C2
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ð1D1C3
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ð1D1C4
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ð1D1C5
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ð1D1C6
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ð1D1C7
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ð1D1C8
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ð1D1C9
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ð1D1CA
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ð1D1CB
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ð1D1CC
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ð1D1CD
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ð1D1CE
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ð1D1CF
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ð1D1D0
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ð1D1D1
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ð1D1D2
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ð1D1D3
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ð1D1D4
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ð1D1D5
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ð1D1D6
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ð1D1D7
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ð1D1D8
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ð1D1D9
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ð1D1DA
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ð1D1DB
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ð1D1DC
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ð1D1DD
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ð1D1DE
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ð1D1DF
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ð1D1E0
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ðĄ1D1E1
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ðĒ1D1E2
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ðĢ1D1E3
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ðĪ1D1E4
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ðĨ1D1E5
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ðĶ1D1E6
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ð§1D1E7
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ðĻ1D1E8
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ðĐ1D1E9
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ðŠ1D1EA
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1D1EB
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1D1EC
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1D1ED
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1D1EE
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1D1EF
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1D1F0
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1D1F1
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1D1F2
-
1D1F3
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1D1F4
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1D1F5
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1D1F6
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1D1F7
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1D1F8
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1D1F9
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1D1FA
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1D1FB
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1D1FC
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1D1FD
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1D1FE
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1D1FF